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July 30, 2009

OneWed Wants to Make Wedding Planning Social

(* Source: Ben Parr *)

 

Ben says...

Okay, so what happens when you get an invite from a friend about his or her wedding? You get a few invites, probably a link to TheKnot, and maybe a list of pre-approved things you can buy the couple. Even if you’re one of the bridesmaids, you’re probably just trying to figure out what the bride wants you to do over a series of frantic phone calls. Information gets lost, good suggestions go down the drain, and friends don’t get involved.

That’s why OneWed’s approach intrigues us. The wedding planning website has launched Wedding Pre-Party, a new website that essentially creates your own private (and organized) version of Facebook (Facebook) where friends and guests can share tips, add photos, and keep informed about all the fun (and terror) leading up to the big day.


Organize Your Wedding, Bring in Your Friends


The site’s set up primarily in the form of a news feed – those who are invited to the a wedding pre-party website can add comments, propose a toast, add wedding tips (useful if you’ve been through it before), and provide stark and truthful info on weddings (on top of that, the bride and groom can ask for inspiration for new ideas). This conversation feed is a great feedback tool for you to reach your closest friends.

OneWed’s also made it easy for your friends to sign up by integrating with Facebook Connect. Thus, when they sign in, your picture and info will already be available. You can also invite friends via Gmail (Gmail) or Yahoo Mail.


OneWed Wedding Image

The site has a couple of other useful features for organizing the wedding. The checklist allows anyone involved in planning the wedding to add tasks, assign due dates, and categorize them. Even better, there’s already a set of standard wedding to-dos in the checklist. However, you might start crying when you see how long the list is (hint: it’s over 70). Nobody said planning a wedding was easy.

In terms of customization, OneWed’s Wedding Pre-Party tool is solid; you can add new webpages, like the story of your engagement or a gift registry, with very little hassle. You can also change themes and create a vanity URL so friends can easily type in your wedding website’s URL. The ability to designate specific users as bridesmaids or groomsmen also exists, which makes for easy categorization.

If you want to try it out without making your own wedding, OneWed has a “crashable wedding” -that, after you ask to be invited, will automatically allow you in so you can play around with it for yourself.


Socializing Life Events


This is the type of practical social media that can transform how we manage our personal lives. Weddings can quickly become messy and stressful affairs. Managing friends, appointments, and parties requires help and the ability to get things done in a streamlined fashion. OneWed is betting big that you want to get all of your friends involved in your wedding, while keeping it organized. We think their wager is spot-on.

OneWed follows in the footsteps of other social tools focused on making the events of your life social. thisMoment (thisMoment), for example, creates vivid social media scrapbooks while Timetoast transforms a series of events into an interactive timeline.

Social media is incredibly effective at connecting friends for common causes. There are few times where those connections are more important than a wedding. OneWed’s Wedding Pre-Party platform effectively organizes your wedding while adding in the social element. It alleviates a lot of worries and saves time so you can focus on one thing: enjoying the best day of your life.

 

July 29, 2009

Adidas Launches “Your Area” Local Tab on its Facebook Profile

(* Source: Chris Lynch *)

 


adidaslogoChris says...

As Facebook expands its reach globally, international brands should appeal to local audiences with their public profile pages. At least, that’s the thinking of adidas, the German footwear maker, which launched a “Your Area” tab on its Facebook profile. It allows the 1.8 million fans of the adidas Facebook page to view content from their local countries where they buy sneakers and other products.

The page will target 13 countries with the Your Area tab, including the U.S, China, and several throughout Europe. While the features adidas packed into the new tab mirror that of normal profiles (such as “videos” and “news feed”), it makes the profile more interactive and engaging.

A list of the features include:

  1. A News Feed with local content, featuring links, events and promotions.
  2. A photo and video viewer, featuring adidas products (and the people who use them).
  3. “adidas buzz,” a twitter feed about adidas products in your local area, including some promotions.
  4. A link to the adidas store finder.

adidas' "Your Area" tab.

The page also helps local stores target their specific fans. Local adidas managers, for example, can feature products and post content to the page. They can also tag new products, and provide liks to the adidas e-store.

 

More here

 

July 28, 2009

Download this book for FREE!

 (* Source: The Pirates Dilemma *)

 


Download The Pirate's Dilemma

Its funny how sometime something is for free and yet you choose to buy it.  That's what happened to me last week...

 

 

 

 

 

 

Matt says...

 

Here you can download an electronic copy of the book. The price is entirely up to you.

To download, simply click on the link above or the book cover pictured on the left. You’ll be taken to a checkout page where you can set the price anywhere from $0.00 upwards. You’ll need to enter your email address, but I respect your online privacy and promise never to spam you.

Why would an author give away a book for free? Obviously it makes a lot of sense given the arguments in this particular book, but it’s true for all authors that piracy isn’t a threat, it’s an opportunity.

There are millions of books on amazon.com, and on average each will sell around 500 copies a year. The average American is reading just one book a year, and that number is falling. The problem (to quote Tim O’Reilly) isn’t piracy, it’s obscurity. Authors are lucky to be in a business where electronic copies aren’t considered substitutes for physical copies by most people who like reading books (for now at least).

By treating the electronic version of a book as information rather than property, and circulating it as widely as possible, many authors such as Paulo Coelho and Cory Doctorow actually end up selling more copies of the physical version. Pirate copies of The Pirate’s Dilemma are out there online anyway, and they don’t seem to have harmed sales. My guess is they are helping. To be honest, I was flattered that the book got pirated in the first place.

 

Michael Jackson & Mario Bros

Thank you Michael

Social Vs Brand

(* Source: PSFK *)

 

Rubbishcorp reports...

This is a very passionate video response by YouTube blogger Kristina Horner about communities working with brands.

‘Kristina is a 21 year old girl from Seattle who is currently studying at the University of Washington, but in her spare time you can find her making videos for YouTube, playing music, or writing. She’s in a band that plays music about Harry Potter and through that, has traveled all over the country (and sometimes further) playing shows and attending conferences. In the past year she’s also been to numerous YouTube related gatherings and events and loves meeting new people and seeing new sights. Kristina has a slight addiction to broadcasting her life and thoughts in various forms on the Internet.

Motivated by criticism of her partnership with Ford for the (pretty smart) FiestaMovement work. Kristina argues that for both bloggers and brands to be successful they need to accept the fact that traditional advertising is not-effective (and often rejected) in social spaces. But, brands and publishers like Kristina can easily find win-win situations when brands support their work without compromise. If you work in ‘advertising and or marketing’ and struggle to understand the social media space, have a butchers:

Kristina.

FiestaProject.

 

 

The Pirate Bay: Distributing the World’s Entertainment for $3,000 a Month

(* Source: ThreeBillion *)

 

Janko Roettgers says...

Much has been written in recent weeks about the future of The Pirate Bay, as well as about BitTorrent piracy in general. The sale of the site spooked some, while others are hoping to transform the new Pirate Bay into a legitimate, multimillion-dollar business. One aspect that has been largely overlooked is that the current Pirate Bay, due to the nature of P2P, is actually a relatively small and cost-efficient operation. The site’s trackers facilitate countless downloads of Hollywood blockbusters and music albums, but according to an insider, running these trackers could cost as little as $3,000 per month.

The implications of a number like that are huge. Not only does it mean that anyone with a medium-sized checkbook could replicate The Pirate Bay’s infrastructure in a heartbeat, but it also casts shadows over the hopes of anyone thinking about selling digital content online. Music fans were not longer willing to pay $20 for audio CDs once they noticed that blank CDs only cost a dime. How are they going to feel about download stores knowing that running the world’s biggest download service is that dirt cheap?

Earlier this week, when I was researching my story about federated tracker networks I had the chance to talk to some insiders close to The Pirate Bay as well as some folks working on newer projects aimed at picking up where it is leaving off. During one of these conversations, a person with inside knowledge of The Pirate Bay’s infrastructure estimated the total monthly costs of running the site’s trackers to be around $3,000. Compare that with recent reports that put YouTube’s bandwidth costs anywhere between $130,000 and a million dollar per day, and you’ll understand why I haven’t been able to get that number out of my head. : $3,000. What a steal. Literally.

Of course, that number doesn’t actually reflect all the costs associated with running The Pirate Bay in its current form. The site itself clocks more than a billion page views per month, according to statements from the prospective new owners, which should amount to a whole lot of additional bandwidth. The complete Pirate Bay set-up consists of a little more than 30 servers, of which less than a third are dedicated to tracking torrents.

Still, the impact of The Pirate Bay’s trackers are enormous. It tracks up to 2 million torrents and connects around 20 millions peers at any given time. Researchers estimate that 50 percent of the world’s publicly available torrents are tracked through The Pirate Bay. So how can just a massive system be so cheap?

The answer lies in the way the BitTorrent protocol work. Tracker servers never actually touch the files that are exchanged between users, and don’t compile huge lists of file names to query, either. Instead, these machines just collect the hash value of each torrent tracked. Users’ clients then query a tracker with these hash values, asking them for the IP addresses of others sharing the file associated with a particular hash value. So the whole message flow between client and server consists of just a few bytes, even if the files exchanged are massive Blu-ray videos.

I finished Chris Anderson’s new book “Free” this week, and I couldn’t help but think about The Pirate Bay’s $3,000 tracker while I was reading his theory of how the ever-decreasing costs of processing power, bandwidth and storage inevitably bring down the prices of digital goods as well. In the book, Anderson writes:

“In a competitive market, price falls to the marginal cost. The Internet is the most competitive market the world has ever seen, and the marginal costs of the technologies on which it runs – processing, bandwidth and storage – get closer and closer to zero every year. Free becomes not just an option but an inevitability.”

Of course, content owners would rightfully argue that the cost of producing a Hollywood movie or a TV show is not zero. But that’s beside the point. If all it takes to distribute Hollywood’s entire creative output online is $3,000 a month, then there’s always gonna be someone who will offer this stuff for free — and you’d better find a really good way to compete with that.

 

July 14, 2009

Vietnam Online Overview

(* Source: b-side *)

 

 

We heading down to HCMC in Vietnam and were looking at the state of the nation in terms of social media.  Here are a couple of finds:

 

Bryan Pelz - Founder and CEO of Vinagame on Vietnam online advertising:

 

 

Huyen Chip on Twitter in Vietnam and a couple of clones:

 

 

 

Use Setlist.fm To Collect And Share Track Lists From Any Live Performance

(* Source: Robin Wauters *)
 
 

 

It’s festival season, so this may be a welcome addition to the gigantic directory of music-related information websites and applications already out there on the Web, particularly for live gig buffs. Setlist.fm is an awesome free wiki site (although they prefer to call it a “wiki-like service”) that aims to become the biggest repository of live performance track lists with the help of music fans across the globe.

The good thing about Setlist.fm is that the goal is to collect the real setlists, meaning which tracks artists and bands actually play at live gigs rather than what the setlist says they will. If you have any basic knowledge about the live music industry, you know that those are two completely separate things.

To submit and edit setlists, you don’t necessarily need to register, although the startup behind the site recommends that you do. Once you add tracks for a certain gig, say Metallica’s performance at the Sonisphere Festival in Hockenheim, Germany from last week, the back-end of the system will automatically check the web for a playable stream of the tune, YouTube videos and the lyrics. The site will also auto-generate statistics for artists and bands (example for Metallica) which gives you a good overview of their performance history and what their most played songs at live gigs are.

Setlist.fm comes with a decent internal search engine and enables visitors to easily share the setlist in their Last.fm event review or embed it on their own website or blog. For example, here is the setlist of U2’s concert at Camp Nou in Barcelona, Spain from the beginning of this month:

U2 Setlist Camp Nou, Barcelona, Spain 2009, 360° Tour

As an aside, this is most probably the first project that we cover that hails all the way from the tiny nation of Liechtenstein. Which goes to show good ideas can come out of countries with less than 40,000 inhabitants too.

Nice one!

 

Why Teens Aren’t Using Twitter: It Doesn’t Feel Safe

(* Source: Daniel Brusilovsky *)
 
 
 

 

Daniel says..

 

Twitter seems to be the hottest thing in tech recently — if you look at TechCrunch, it averages at least 3 posts a week about Twitter. But the bigger question is, who is really using Twitter? Many of you might think that, as with most of the latest gadgets and technologies, teenagers are using Twitter, but you’re wrong, and here’s why. Matthew Robson, a 15 year old intern, over at Morgan Stanley, wrote a report on how teenagers are consuming media, and why Twitter isn’t the hot topic in high school halls.

If you look at technologies trending with teens right now, it’s Apple devices (iPhone, iPod), smart phones (Blackberry, Palm), and then social networks (Facebook and MySpace). At least that’s what I see from hanging out with 1,500 other teenagers in high school every day (I am 16 years old). But why not Twitter? Well, because Twitter is a different type of social network than Facebook. Facebook is about connecting people, and sharing information with each other. The way my friends and I see it, Facebook is a closed network. It’s a network of people and friends that you trust to be connected to, and to share information like your email address, AIM screen name, and phone number. You know who’s getting your status messages, because you either approved or added each person to your network.

With Twitter, it’s the exact opposite. Anyone can follow your status updates. It’s a completely open network that makes teenagers feel “unsafe” about posting their content there, because who knows who will read it. Sure, you get emails notifying you when you have new followers, but that doesn’t compare to the level of detail you get when someone on Facebook adds you, and you get their information.

According to June, 2009 comScore numbers, 11.3% of visitors to Twitter.com in the U.S. are ages 12-17. Internationally, in May, 2009, only 4.4% of visitors were younger then 18.

Twitter is also seen as more expensive to keep up with than Facebook. Most of my friends spend their time playing video games, watching TV, surfing online, and text messaging to actual friends who you know will reply back. In an economy like this, most parents don’t want to spend the extra money on unlimited texting to total strangers. So why spend money on sending SMS updates to Twitter, when you can send updates to someone you know will read it and reply?

Facebook has a more dedicated community than Twitter, which is why teenagers want to use it. Maybe the reason Twitter still isn’t considered mainstream quite yet is because Gen Y isn’t the early adopter this time around.

 

The Gap Grows Wider: MySpace Eats Facebook’s Dust In The U.S.

(* Source: Leena Rao *)
 
 
 

Leana says...

The gap between Facebook and MySpace is growing wider in the U.S. In May, Facebook finally caught up to MySpace in unique U.S. visitors and surpassed its rival social network by a smidgeon. Last month, Facebook left MySpace in the dust, according to June data from comScore. Facebook reached 77 million unique visitors for the month of June, rising from 70.28 million unique visitors in May. MySpace had 68.4 million unique visitors in June, dropping from 70.25 million unique visitors in May.

Facebook is steadily growing in the U.S.; the network gained just under 7 million unique visitors in June compared to a gain of 2.8 million U.S. unique visitors in May. In comparison, MySpace lost nearly 4 million unique visitors in June, compared to 700,000 unique visitors lost in May. While Facebook is growing both in the U.S. and internationally, MySpace appears to be stagnating.

The widening of the gap between the rival social networks network comes at a time when MySpace is under new management and recently terminated two-thirds of its international staff, laying off staff in countries where MySpace is being trounced by Facebook. MySpace’s international numbers were startling. For example, in India, where social networking is growing fast, Facebook had 6.4 million unique visitors in May, compared to 848,000 unique visitors to MySpace. In our most recent model of the true value of social networks, MySpace fell below Facebook, dropping from the top spot last year.

MySpace still generates more page views than Facebook. In June, MySpace had 32.4 billion page views in the U.S., but that number dropped 10 percent in a single month, from May (gulp). Facebook is catching up there as well, with 21.3 billion page views in June, a 12 percent increase from May. And worldwide, Facebook is already ahead. As we reported a few months ago, worldwide monthly page views for MySpace declined from 47.4 billion a year ago to 38 billion in April, a 20% drop. In that same period Facebook grew from 44 billion to 87 billion, a roughly 100% increase. MySpace’s user number growth has stalled out also, and developers are reporting that activity on MySpace is decreasing at a dramatic rate, as high as “half a percent a week.”

A decline in user numbers isn’t the only predicament that MySpace is in—there is speculation that the social network could lose one of its major revenue streams in the near future. In 2010, MySpace will be receiving its last “welfare payment” from Google (stemming from an advertising deal between News Corp. and Google struck in 2006), after which it looks like it will be cut off. Under the terms of the agreement, MySpace will receive $300 million over the next year if the network hits certain search pageview requirements, which considering the recent data on page views, may not happen.

Meanwhile, Facebook shows no signs of slowing down. The network successfully launched its “vanity URLs,” in June, with millions of users signing up for the new feature within days. The network also got some notice around its use during the Iran elections and protests, and around the new privacy settings surrounding its “Everyone” button.

 

July 10, 2009

5 Steps for Successful Social Media Damage Control

(* Source: Mashables *)

 

Sharlyn Lauby says...

I spent many years of my career in the hospitality business and the first rule of thumb when dealing with customers was, “if a guest had a positive experience, they’ll tell 3 people and if they had a negative experience, they’ll tell 10.” That same idea holds true in the new media world, except the numbers have grown exponentially. Instead of it being 3 people – it’s 3,000, or instead of 10 – it’s perhaps 100,000. The numbers aren’t meant to scare you. But what should you do when something goes wrong?

Our goal, of course, hasn’t changed – work to increase the number of positive comments written about your company, product, or service and take care of those who have negative experiences. But, how do you make that happen in the social media world? What steps to you take to keep negative social media damage to a minimum?


Minimize the damage


Before we even talk about how to fix what goes wrong, let’s talk about the positives. One of the best ways to minimize social media damage is to proactively create an environment that encourages positive feedback. There are two main things you should do to keep the accolades coming.

1. Foster a positive culture. There are plenty of studies showing that if your employees are happy, they will deliver good service to customers. Not only does this minimize potential damage, but it leverages your brand in a very positive way. Keeping your employees engaged and letting them know how they fit into the corporate culture goes a long way.

Case in point: I recently returned from a conference in New Orleans where Harvard Professor John Kotter showed us an old video of a Roto Rooter employee who had pimped out his van to make his job easier. It had everything from pull down maps (obviously this dated prior to the Garmin) to a makeshift toilet. The point is, this employee created all of these conveniences for himself so he could spend more time servicing customers. How many of your employees are doing that?

2. Train employees on the proper use of social media tools. Your employees represent your organization, and if they have a solid, credible personal brand, it will carry over to the company’s image.

It’s not enough to allow employees to have Facebook pages and Twitter accounts. Organizations need to show employees the proper way to use them. For example, Zappos employees are not only encouraged to have Twitter accounts, but they receive training during company orientation on how to use the application. Again, if your employees use social media well, it will benefit both those employees and the organization.

Keep in mind, however, that someday the other shoe might drop. Many companies have fallen prey to negative press, so don’t put your head in the sand. It’s not about “if” something will happen; it’s about “when.” In this transparent, authentic and real-time world, expect a hiccup to occur. But be prepared.

In the end, the issue is less about the mistake that was made, but the reaction that came after. So, here are some tips to follow if you find yourself in a damage control mode.


1. Monitor social media sites 24/7


Daniel Ruby, director of marketing at advertising network Chitika, recently had an issue where McAfee flagged one of their ads, thus making their entire network have issues with aggressive McAfee antivirus alerts. Ruby credits Twitter for alerting them to the issue. “We actually found out from one of our publishers who was telling a reader via Twitter as well as the comments box on his site that our ads were why his site was giving McAfee users a red flag,” he said.

From there, Chitika could respond to concerned users (also via Twitter), and keep users up-to-date on the steps they were taking to fix the problem.

chitika tweet image

2. Respond quickly with a consistent message


No matter how proactive you are, customers will start to question your organization when they see problems. And, whenever there is an information void, those customers will tend to fill in the gaps with their own thoughts on what the cause may be. That’s why it is important to respond to issues quickly, even if the message is just, “we’re looking into it.”

Ruby elaborated that he “reached out to the publisher via his comments box, letting him know what happened and what Chitika was doing to resolve it.” He also kept him updated via Twitter (apologizing as profusely as one can in 140 characters).

Communication is key here. Make sure each employee knows the same message all the way down the chain of command. And, when that message changes, don’t forget to communicate those changes. This serves two purposes; (1) it gives the public a sense that you have your arms around the issue; and (2) it gives your employees a sense of unity – working together to solve a common problem.


3. Reply to the social media world


These situations are not contained to just a certain type of organization. For example, following a meeting of Ignite Phoenix in Tempe, Arizona that was attended by over 600 people, a number of attendees had their cars towed after parking in a privately owned lot. “The social media response was immediate and spread like wildfire. It went from Twitterverse to mainstream TV in just a day,” said Kris Baxter, the City’s Community Development Marketing Specialist.

tempetows image

The City worked some of the key organizers of the event to get the matter resolved. This was their first time reacting in real-time/social media environment, so they decided to tweet responses versus waiting for the newspaper.

Baxter explained, “Because we reacted quickly online to solve the problem, our reputation took substantially less of a hit than it might have. People who blogged and tweeted about the experience actually started writing comments such as ‘seems as though Tempe cares and is looking into it.’” Since then, the City has been working with the property owner to sign the lot more clearly and they’re redefining their towing ordinance.


4. Educate employees on proper messaging


In today’s technology age, a company’s brand image belongs to the consumer, so using social media tools to learn, communicate, and evolve makes for a better, more flexible company. “People have an infinite number of ways and places to talk about your brand (or any number of other topics), and if you don’t go where they are, you don’t know what they’re saying,” Ruby told me.

If you make a mistake, own up to it. Recently, for example, European furniture maker Habitat was caught spamming Twitter. Their response was an apology. No skirting the issue. No blaming a computer glitch. So in the end, the old cliché that honesty is the best policy still holds true.


5. Develop a Crisis Strategy


While I’ve spent the majority of this post talking about how to respond when crisis hits, it’s important to realize that sometimes the best response is no response at all. It’s easy to get sucked into the flurry of activity and turn a molehill into a mountain.

These can be tricky waters to navigate. Obviously, if you have a public relations firm, you want to tap into their expertise in creating a response strategy. But let’s say you don’t and something happens… what can you do? Jenni Brand from Bastille Marketing offered up some terrific suggestions:

1. Assemble a team of trusted employees who are willing to work round the clock (it won’t be for long – just a few days at most) to help you evaluate the situation and possibly respond

2. Assess the situation online by harnessing the tools that are publicly available, such as Google Search, Blogs, Technorati, Twitter Search and Who’s Talkin’. Also watch RSS feeds to the online publications of both mainstream and industry media sources.

3. Track these sources constantly to see what and how the situation is developing. Watch the “attacker’s” website or blog as well. They may change their tune or consumers may react negatively and post comments about it on their site.

Then assess the situation:

– Trend the volume of response and the type of consumer reaction over time: Is it growing or waning? Is it supportive or negative? How is this changing over time?

– Identify what your target audience’s reaction is. This will determine your response. Remember: your response could validate that there is an issue and may further perpetuate a negative situation.

I asked Brand how organizations should evaluate the need for response once organizations have all this info. Here’s her take on how to respond (if at all):

– If consumers are silent on the situation, continue to monitor but don’t respond publicly. Assess the need to respond on an ongoing basis – hourly, twice daily, daily, etc.

– If consumers are demanding a response, be sure that the initial upswell of outrage has passed and that the issue is, in fact, continuing. The online audience is fickle – if something more interesting breaks in the news, they may abandon your issue to move on to something more “important.”

– When responding, be sure to really listen and determine what consumers want – do they just want an apology/acknowledgment or do they demand change? Be sure to address these things in your response.

– DO NOT RESPOND too quickly, too thoroughly, in too much of a ‘corporate’ tone or via a press release posted on your website (as the sole response mechanism). These tactics are typically not well-received in the social media landscape.

People like Kris Baxter and the City of Tempe are the ones that “get it” where social media is concerned: “Our situation showed that social media is not only a means of getting out your positive, proactive messages but also a means to protect your brand and react to negative situations to resolve them quickly and positively,” said Kris. Well said.

 

July 02, 2009

GDGT Social Network for Gadgets


(* Source: Mark Hefflinger *)

 

The founders of gadget news blogs Gizmodo and Engadget have teamed to launch GDGT, a gadget-focused online social network.

The site was launched on Wednesday by Pete Rojas, the founder of Gizmodo and co-founder of Engadget, and Ryan Block, the editor of Engadget.

The site will not produce original news content or reviews, as do Gizmodo and Engadget, but instead aggregate news and reviews, and allow users to post their own gadget reviews.

Users can also create profiles and list their stable of gadgets, as well as wish lists.

Block told The New York Times that the gadget blogs focus on only 5% of a device's lifecycyle, the "lust phase," while GDGT will address "the 95 percent of the time you own the product there is nowhere to go. We are building the place where you can live with your gadgets online in perpetuity." 

 

See site here

Michael Jackson Breaks Digital Song Sales Records

 

Michael Jackson has sold a record 2.6 million digital songs in one week, up from 48,000 a week ago, according to sales data compiled by SoundScan. The feat makes Jackson the first artist to sell over a million downloads in a single week.

The number includes both Jackson's solo work, and albums with the Jackson 5.

Jackson also holds a record 25 of the top 74 on Billboard's Hot Digital Songs chart.

The "Number Ones" album topped digital album sales over the past week, moving 108,000 units, while "The Essential Michael Jackson" sold 102,000, and "Thriller" sold 101,000. 

July 01, 2009

Samsung looks to new music TV generation

 (* Source: Giles Fitzgerald *)

 

 

Interesting how social networks have taken the old MTV formula and run with it...

 

samsungbebonights

 

Giles says...

Bebo and Samsung are teaming up on a new online TV initiative in order to promote Samsungs new Beat DJ Handset. As with previous tried and tested Bebo webisode models – Kate Modern, Sofia’s Diary, and The Secret World of Sam King -  the Beat series will follow a fully interactive pathway. Viewers will be given the chance to interact through blogs, upload track reviews, share music news and also be offered the chance to appear in the show itself. In addition Samsung and Bebo will also be running a nationwide promotion to find a co-presenter for the show. The deal will see Samsung promoting its new live venture, Samsung Bebo Nights, with an inaugural performance by White Lies and The Maccabees on 1st June.

Samsung have a long history dabbling with music - traditionally working with artists to endorse and support new product launches. In the past year or so they have used Girls Aloud, The Presets, Ozzy and Gabriella Cilmi. Not to mention signing up Lebanese singer Elissa as a brand ambassador and Korean singer Rain as their Olympic ambassador in China.  This new approach to supporting a series of live music initiatives such as Samung Bebo Nights is the first time they’ve branched out into what could be described as a marketing platform.

 

“Our belief is that credibility through association is tough to achieve, brands need to do something genuinely useful and interesting for the audience or they risk joining a long list of brands trying to absorb some ‘cool’. This new activity is a great starting point for Samsung, with appropriate partnerships in place, relevant products and creation of content at the heart of it all. It will be interesting to see how this unfolds”

Jack Horner, Creative Director, FRUKT